Hokusai says

Hokusai says look carefully.
He says pay attention, notice.
He says keep looking, stay curious.
He says there is no end to seeing

He says look forward to getting old.
He says keep changing,
you just get more who you really are.
He says get stuck, accept it, repeat
yourself as long as it is interesting.

He says keep doing what you love.

He says keep praying.

He says every one of us is a child,
every one of us is ancient
every one of us has a body.
He says every one of us is frightened.
He says every one of us has to find
a way to live with fear.

He says everything is alive --
shells, buildings, people, fish,
mountains, trees, wood is alive.
Water is alive.

Everything has its own life.

Everything lives inside us.

He says live with the world inside you.

He says it doesn't matter if you draw,
or write books. It doesn't matter
if you saw wood, or catch fish.
It doesn't matter if you sit at home
and stare at the ants on your veranda
or the shadows of the trees
and grasses in your garden.
It matters that you care.

It matters that you feel.

It matters that you notice.

It matters that life lives through you.

Contentment is life living through you.
Joy is life living through you.
Satisfaction and strength
is life living through you.

He says don't be afraid.
Don't be afraid.

Love, feel, let life take you by the hand.

Let life live through you.

- Roger Keyes

Katsushika Hokusai (葛飾 北斎, c. 31 October 1760 – 10 May 1849), known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker.^[1] He is best known for the woodblock print series Thirty-Six Views of Mount Fuji, which includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works are thought to have had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme, that spread across Europe in the late 19th century.

Hokusai created the monumental Thirty-Six Views of Mount Fuji as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji.^[2] It was this series, specifically, The Great Wave off Kanagawa and Fine Wind, Clear Morning, that secured his fame both in Japan and overseas.^[3]

Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style until his death, aged 88. In a long and successful career, Hokusai produced over 30,000 paintings, sketches, woodblock prints, and images for picture books in total. Innovative in his compositions and exceptional in his drawing technique, Hokusai is considered one of the greatest masters in the history of art. (from Wikipedia)

In December of 2005, a cancer made its presence suddenly and dramatically known--a melanoma in my right eye, which presented as a sudden incandescence to one side and then a partial blindness....The cancer was irradiated, then lasered several times, because certain areas kept regrowing. During the first eighteen months of treatment, sight fluctuated in my right eye almost daily, from near blind to near normal, and I would be thrown, with these fluctuations, from terror to relief, then back to terror--from one emotional extreme to another.
This would have been hard to bear (and I would have been even harder to live with) had I not become fascinated by some of the visual phenomena which occurred as, bit by bit, my retina--and eyesight--were nibbled away by the tumor and the lasering: the wild topological distortions, the perversions of color, the clever but automatic filling in of blind spots, the incontinent spread of color and form, the continued perception of objects and scenes when the eyes were closed, and, not least, the varied hallucinations which now swarmed in my ever-larger blind spots. My brain was clearly as involved as the eye itself....
Without binocular vision, I now had many new, disabling (but sometimes enthralling!) phenomena to contend with--and investigate....I was not only physically blind but mentally blind, to the right. I could no longer even imagine the presence of what I could no longer see. Such a hemi-neglect, as neurologists call it, is usually the result of a stroke or a tumor in the visual or parietal areas of the brain. For me, as a neurologist, these phenomena were especially fascinating, for they provided an astonishing panorama of the ways in which the brain works (or misworks, or fails to work) when the input from the senses is deficient or abnormal...The whole experience became an experiment with, or on, myself.
The perceptual consequences of my eye damage constituted a fertile ground of enquiry. I felt as if I were discovering as whole world of strange phenomena, although I could not help thinking that all patients with eye problems like mine surely experienced some of the same perceptual phenomena as I did. Writing of my own experiences, then, I would also be writing for them. But the sense of discovery was exhilarating and kept me going through what might otherwise have been rather fearful and demoralizing years, as did my continuing seeing patients and writing.

--from "On the Move", the memoirs of Oliver Sacks.

“If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?”

- Aleksandr Solzhenitsyn, The Gulag Archipelago 1918-1956