Saturday, February 10, 2024
Saturday, February 3, 2024
The Habit of Perfection
Elected Silence, sing to me
And beat upon my whorlèd ear,
Pipe me to pastures still and be
The music that I care to hear.
Shape nothing, lips; be lovely-dumb:
It is the shut, the curfew sent
From there where all surrenders come
Which only make you eloquent.
Be shellèd, eyes, with double dark
And find the uncreated light:
This ruck and reel which you remark
Coils, keeps, and teases simple sight.
Palate, the hutch of tasty lust,
Desire not to be rinsed with wine:
The can must be so sweet, the crust
So fresh that come in fasts divine!
Nostrils, our careless breath that spend
Upon the stir and keep of pride,
What relish shall the censers send
Along the sanctuary side!
O feel-of-primrose hands, O feet
That want the yield of plushy sward,
But you shall walk the golden street
And you unhouse and house the Lord.
And, Poverty, be thou the bride
And now the marriage feast begun,
And lily-coloured clothes provide
Your spouse not laboured-at nor spun.
--Gerard Manley Hopkins
Originally written in 1866, a fragment from “The Habit of Perfection” was first published in Robert Seymour Bridges’s anthology The Spirit of Man: An Anthology in English & French from the Philosophers & Poets (Longmans Green & Co., 1916). In “Food Metaphors in Gerard Manley Hopkins,” published in Victorian Poetry, vol. 55, no. 3 (Fall 2017), Mariaconcetta Costantini, professor of English at D’Annunzio University of Chieti–Pescara, Italy, writes, “Another struggle against the lure of the senses, including taste, is dramatized in ‘The Habit of Perfection.’ Like other lyrics of Hopkins’s university years, this poem in quatrains exalts the human capacity for renouncing physical pleasures in favor of spiritual ones [. . .]. [T]he poet turns the body and its perceptive organs into vehicles for achieving a condition of bliss that entails the final rejection of corporeality. Such a strategy is evident at the beginning of each quatrain, which opens with a direct reference to man’s sensual powers of perception / communication: hearing, speaking, seeing, tasting, smelling and touching. Stanza four, in particular, focuses on the pleasures of the palate—‘the hutch of tasty lust’—which are visibly evoked before the invitation to transcend them. Despite the use of negation, the speaker gives flesh to the palate’s ‘desire . . . to be rinsed with wine,’ while the other references to drinks and aliments (‘The can . . . so sweet, the crust / So fresh’) attach physical valences to the ‘fasts divine.’”
Gerard Manley Hopkins
Gerard Manley Hopkins was an English poet and Jesuit priest during the nineteenth century. Known for his innovations in prosody, most notably his “sprung rhythm,” the vast majority of his work was published posthumously. He died on June 8, 1889.
By Then
By then I was leaving,
and the deer in the meadow had stopped
paying me their mind. I was alone
as I’d always been
but twice as deep for knowing it
now. Sometimes it’s OK
you have to wander a strange house
covered only by a blanket,
itchy wool rubbing against your naked ass
and shoulders—
the coarse gray fire station blanket
given me as a child. I didn’t know
whether this was one of those
times; I mean,
I didn’t know if I was “OK.”
Shame thinks of us
in friendly terms—it sees how we are,
on the blink—it wants only
to do us the kindness
of anchoring us to the world it makes us
feel unworthy of.
I kept thinking a good cry
will take care of everything
wrong—getting
day by day
skinnier but filled
somehow despite it all
to bursting.
Do me a favor,
I wanted to ask shame,
hold me, why don’t you?
Because at heart
it’s just that simple
maybe. I wanted to be
held, that’s all. When I say
the word “world”
I mean love of course.
When I say “then”
I mean now. Always.
-- David Rivard
From SOME OF YOU WILL KNOW © 2022 David Rivard published by Arrowsmith Press.
Grounded
The stories all forget that the Buddha
was just a man sitting beneath a tree
in the middle of the night, weathering
the storm of his thoughts and fears,
each one demanding: Who do you think
you are? His simple answer: to reach
down and touch the earth, feel the wet
hair of the grasses, the smooth skin
of sandy soil beneath his hand. And so
I say to myself: Ground yourself here.
Pick up a single dead oak leaf, if that’s
all you can do, and turn it this way
and that, so the leathery surface gleams
in thin winter light, so that the earth,
which you are, can welcome you back.
—James Crews
The Medicine of Surrender
comes with no spoonful of sugar.
No promises, no back up plans,
no returns, no insurance.
The medicine of surrender
never tastes the way you expect,
never tastes the same next time,
seldom has the hoped for effect.
And if there were some part of you
that thought it might not be affected,
that thought it might hold back,
that part is most likely the first part
to be flooded with the relentless
truth of what is. Oh surrender.
The surest medicine that exists.
There are infinite side effects.
Wonder. Freedom. Rawness.
It’s like opening the dictionary
to the word heaven. Or obliteration.
And knowing it’s the same thing.
It’s like playing spin the bottle with life,
and you French kiss whatever you get.
It’s the only remedy that can help you
be whole. The only real medicine there is.
--Rosemerry Wahtola Trommer
Blessing of Breathing
That the first breath
will come without fear.
That the second breath
will come without pain.
The third breath:
that it will come without despair.
And the fourth,
without anxiety.
That the fifth breath
will come with no bitterness.
That the sixth breath
will come for joy.
Breath seven:
that it will come for love.
May the eighth breath
come for freedom.
And the ninth,
for delight.
When the tenth breath comes,
may it be for us
to breathe together,
and the next,
and the next,
until our breathing
is as one,
until our breathing
is no more.
—Jan Richardson
from The Cure for Sorrow: A Book of Blessings for Times of Grief
The more I love my life, the more I understand the meaning of it
On Titan, Saturn’s largest moon,
raindrops are much bigger
than they are on earth, and fall
so slowly you could look up,
spot one coming, and move
out of the way.
Imagine seeing that for the first time–
rain inching down from the sky,
how wide your eyes would be
as you followed each dreaming drop
to the ground, how you’d be
absolutely hypnotized.
That’s how I feel looking at this world
of ours now, knowing our time here
is never promised—I heal
the disease of being accustomed
to beauty. I see the miracle
of the Aspen tree with its golden leaves
like a thousand yellow lights
begging me to slow down.
I laugh each time someone calls me
an “an old soul.” I am not an old soul.
Please life, let the astonishment
on my face make it clear that this
is my first time here, marveling
at the steam rising from a cup
of lavender tea, the patch of sun
that traveled 90 million miles
to warm the hardwood floor
where my oldest puppy dreams,
my window thrown open
to my neighbor’s violin,
every goosebump on my skin,
a coin in god’s tip jar.
--Andrea Gibson
The Only Prayer
Because there was nothing else to do,
and the news frightened me as usual,
I took a walk on my favorite trail
in the woods, and because the snow
began to melt as soon as it fell,
everything was wet—the lichen a bright
lime-green on the bark of each fallen tree,
the leaves beneath my feet deliciously
soft as they squelched and sank back
into the arms of the earth that shaped them.
I picked up one of the limp, gold-
toned beech leaves, pressed it to my chest
then left my despair on a mossy trunk,
like placing a lit candle on an altar
and saying the only prayer that matters:
I'm here, I’m here, I’m here.
—James Crews
Skiing into the Storm
I love the days when it feels right
not to turn from the storm
but to move deeper in,
when the body doesn’t shy
from the cold and wind,
when the smile arrives
as the storm magnifies
and a whoop rises from the lungs
like a fierce and hardy bird.
What is it in us that feels more alive
in these moments?
Is it the part that rhymes
with instability,
the untamable part
that knows chaos, too,
is holy? And the gusts
swirl and the chill bites
and the smile
incredibly widens.
-- Rosemerry Wahtola Trommer
Rural Delivery
I never thought we’d end up
Living this far north, love.
Cold blue heaven over our heads,
Quarter moon like chalk on a slate.
This week it’s the art of subtraction
And further erasure that we study.
O the many blanks to ponder
Before the night overtakes us once more
On this lonely stretch of road
Unplowed since this morning;
Mittens raised against the sudden
Blinding gust of wind and snow,
But the mailbox empty. I had to stick
My bare hand all the way in
To make sure this is where we live.
The wonder of it! We retraced our steps
Homeward lit by the same fuel
As the snow glinting in the gloom
Of the early nightfall.
-- Charles Simic
From Selected Poems: 1963-1983.
I Try to Describe the Baby Things
We discover physics like we write poetry –
marveling at a mystery we already know
but need the language to explain.
There are so many days I struggle
with words— with focus.
My mind holds awe
like a wasp in a butterfly net.
I fall back on cliches.
I say I feel blessed to be his mother,
even though his hand is on my cheek.
Carried for nine months,
held while crying, while both crying,
and now a choice, a hand, he is trying to tell me—
a new feeling, like a spring robin in the pine trees.
Our capacity for love is always growing
and so I wonder if that is why the universe expands –
it is filling with the awe we feel for it.
--Leslie J. Anderson
The Lifeline
Here is what I know: when
that bell tolls again, I
need to go and make something,
anything: a poem, a pie, a terrible
scarf with my terrible knitting, I
need to write a letter, remind myself
of any little lifeline around me.
When death sounds, I forget most
of what I learnt before. I go below.
I compare my echoes with other people’s
happiness. I carve that hole in my own
chest again, pull out all my organs once
again, wonder if they’ll ever work again
stuff them back again. Begin. Again.
-- Pádraig Ó Tuama
A Few Words On The Soul
We have a soul at times.
No one’s got it non-stop,
for keeps.
Day after day,
year after year
may pass without it.
Sometimes
it will settle for awhile
only in childhood’s fears and raptures.
Sometimes only in astonishment
that we are old.
It rarely lends a hand
in uphill tasks,
like moving furniture,
or lifting luggage,
or going miles in shoes that pinch.
It usually steps out
whenever meat needs chopping
or forms have to be filled.
For every thousand conversations
it participates in one,
if even that,
since it prefers silence.
Just when our body goes from ache to pain,
it slips off-duty.
It’s picky:
it doesn’t like seeing us in crowds,
our hustling for a dubious advantage
and creaky machinations make it sick.
Joy and sorrow
aren’t two different feelings for it.
It attends us
only when the two are joined.
We can count on it
when we’re sure of nothing
and curious about everything.
Among the material objects
it favors clocks with pendulums
and mirrors, which keep on working
even when no one is looking.
It won’t say where it comes from
or when it’s taking off again,
though it’s clearly expecting such questions.
We need it
but apparently
it needs us
for some reason too.
-- Wislawa Szymborska
The crucial work of social peace (negotiating peace, organizing peace, facilitating peace, instituting peace) only maintains a superficial and tenuous harmony if there is no on-the-ground commitment to interior peace, the kind that changes lives from the inside out. Countless civil disobedience movements have demonstrated the power of non-violent action when it is steeped in spiritual intention and grounded in a peace that no oppressor can give or take away.
Br. Keith Nelson
Window
Hope makes itself every day
springs up from the tiniest places
No one gives it to us
we just notice it
quiet in the small moment
The 2-year-old
"kissing the window" he said
because someone he loved
was out there
--Naomi Shihab Nye
How to Survive
Even the will will return again.
Even the love, the wonder.
Darken. The heart
can love this.
And the new moon changing in the maples.
And the grief like black oars in the rafters.
And the branches that have let go
of everything, saying
wait, just stay
in your changes;
you have hated
your one life
long enough.
Try something wondrous.
Trust it.
--Joseph Fasano
Urgent Message to a Friend in Pain
I have to tell you
a little thing about living
(I know, I know, but hear me),
a little thing I've carried
in the dark:
Remember when you saw the stars of childhood,
when you knelt alone and thought
that they were there for you,
lamps that something held
to prove your beauty?
They are they are they are they
are they are.
--Joseph Fasano
On the Train to Hospice Care
If every earthly body earns its trip into the dark,
then I would like to be there with you
when you turn your face away from the light
and say what you will say to the darkness--
perhaps prepared, perhaps words you never thought
you would say--and I would like to be the one
leaning down and whispering into your ear,
into the last scrap of you that can hear me,
words you never heard in this life, from yourself or
from the wind or from another, I would like to say
you are doing fine, you are doing this perfectly.
--Joseph Fasano
Questions for the New Year
Why not believe in magic?
Can I soften? Can I soften some more?
Does truth exist? How are stones alive?
What if I never learn
what happens when we die?
What's the next nice thing
I can do for someone else?
What's for breakfast? What's at stake?
When I dream of my beloveds, is it them?
Where am I in my own way?
How might I be more river, less dam?
Which comes first, forgiveness or the peace?
Which comes last, unknowing or the known?
What is love? What is now? What is home?
What is it in us that knows how to wonder?
What is it in us that knows how to grow?
Who are we really? What is courage?
What's worth it? What's asked of me now?
Should I be in this moment a blade or a bloom?
What's the nature of higher ground?
Can I ask without longing for answers?
Can I feel I am one with it all?
How does life live through me?
Can I be in service to that?
What do I believe I can't give away?
What if I say nothing and listen?
Will I choose awe today?
--Rosemerry Wahtola Trommer
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